Tuition includes an orientation before class starts, five workshop sessions, a one-on-one meeting with the instructor, breakfast and coffee on workshop days, all lunchtime business panels, tickets to the opening and closing parties, a digital one-year subscription to The Sun magazine, and discounted rates at local hotels.
Whether writing fiction or nonfiction, the writer is always striving for authenticity, a sense of the real on the page. (William Maxwell: "After forty years, what I came to care about most was not style, but the breath of life.") This workshop will look at brief examples of fiction (Arundhati Roy, Sheila Heti, Zadie Smith, Claire Messud, Denis Johnson, Lydia Davis), memoir (Maggie Nelson, Annie Ernaux, Joy Williams), travel writing (Ryszard Kapuscinski, Ian Jack), journalism (Janet Malcolm, Svetlana Alexievich), mixed-genre writing (John Berger, Claudia Rankine, Carolyn Forche) to learn how to create in our writing a certain effect of solidity or at other times dazzling impermanence or instability and even doubt. There is no one way to be authentic, there is no single, fixed notion of authenticity: instead, the richness of literature, regardless of genre, is the ability to use language to portray the richness of life itself. Each workshop meeting will be devoted to 10-minute writing exercises, an hour of discussion about the readings for the day (10-15 pages), and the rest of the time to a close reading of any one workshop-participant's work.
Open to nonfiction and fiction writers, accepted participants will submit up to 20 pages by May 15, and will have the opportunity to meet one-on-one with Amitava during the week of class.
